CHRISTMAS EVE

Miss Sophie wishing you a Merry Christmas.

All of the Christmas jewelry work is done. I wish I could say my workspace was spic and span, but I'll get to that. I'll have to, as I can never start again with it all in a mess. My head is full of new ideas that I hope I can execute in the new year. I have new techniques I want to learn, shows to sell my wares at, new things to teach, the gem shows in Tucson to drool over and spend too much at (and I never regret my purchases!) all in just the next few months. Ah, but not today. Nothing left to do today but to be merry and dream of sugar plums (whatever the heck those are!).

LIFE SIGNS

A while back my friend Gail posted the above sign (the first one) on her blog. I can't remember if this is a card she got or bought or if it's a sign on her studio wall. It well could be. Such great words to live by. So much of it is very relevant to my life. I love the lines about life being about the people that you meet and what you create with them. It makes me think about the great friends I've met and made in the jewelry world. I am so inspired by all of them and I hope they are a little inspired by me too. We are far flung, but we are still a tribe of our own making and I'm amazed by the strength of these friendships with people that I see so infrequently. What an amazing thing to find in this big world!

Remembering Gail's sign made me want to share the sign that's been on the wall of my workspace for as long as I remember. If there were ever truer or more important words regarding creativity, I don't think I've heard them. I believe we can be whoever we want to be creatively speaking. There aren't any rules except to be who you want. I've noticed that when students struggle, it's not learning technique that they grapple with most often. Usually, it's fear of their own creativity that can stand in their way. When we're kids, we don't think twice about creativity, we just make stuff. We color trees purple and the sky orange. It's not until we grow up that we learn the "rules" and are taught about the right and wrongs of creativity. We lose the ability to give ourselves permission to color outside the lines. We learn to think the things we make are irrelevant or bad. I think this is a shame. This isn't to say that I don't teach and hold fast to there being a right and wrong way to do certain techniques. There are inherently correct ways to form, etch, heat, join, and color metal. It's important to learn the "right" way to do things so that you can be successful and safe. After that, the sky's the limit.

Humans are creative by our nature. Trying is never a failure.

BRONZE CLAY CLASS REDUX

Chaco Spiral.

Big pile o' bronze charms.

My bronze clay clay that was scheduled to happen at Bead Haven tonight was cancelled due to a snow storm (it is Iowa after all!). Bummer. The upside is that there were still a couple of spots left, so if any of you were interested and didn't get signed up, the class will be happening December 22nd. Call Bead Haven if you're interested.

BRONZE CLAY CLASS

The Bronze Clay for next week's class arrived today!

We'll be doing simple mold making in this class, to get acquainted with the different and sometimes difficult properties of bronze clay. I made these charms from a clay model that I made, then made a silicone mold from the model.

Wednesday, December 15th at Bead Haven. I'll be leading a class in mold making with Bronze Clay. It will be a simple beginning class on the medium, so not much experience will be needed. Bronze clay is somewhat different to use than Silver clay, and in my opinion more difficult. Once you get past these differences it's fun and really beautiful and I thought it was time we delved into it at Bead Haven. We'll be making two part silicone molds from antique buttons as well as rolling out simple charms and pendants if you wish. I have several buttons for us to use, but feel free to bring one of your own if you have one. We'll be discussing the clays properties and how it's fired and finished. I expect it to be fun and informative and I'd love to see you there.

Please call Bead Haven in Cedar Rapids, Iowa at 319-247-2323.

ACID-ETCHED TEXTURE PLATE

A group shot of our texture plates. Mine's in the middle and is my take on West African mud cloth.

Julie's zebra-inspired plate.

Alice's plate really suggests flowing water to me.

Bonnie's plate uses negative space really well.

Pam's spike-a-lishous heart texture!

Margaret's plate will look great fabricated into a piece of jewelry (which is what she's planning to do).

Tonight at Bead Haven, I led a class where we acid-etched a textured plate from a piece of 18 gauge copper. The plate creates a low-relief texture that is very similar to a tear away sheet, commonly used for adding texture to metal clay. I love the look that tear away sheets achieve, but I find that they don't really last too long. These etched plates are much more permanent and are so fun to make. Of course, they can also be sawed up and fabricated into jewelry pieces too. I can't wait to see what these ladies make with theirs.

HAPPY THANKSGIVING

"As we express our gratitude, we must never forget that the highest appreciation is not to utter words, but to live by them."

-John Fitzgerald Kennedy

Surfaces

Some of our Sunday group. David is such a good sport to put up with all of these women.

Don't Pam and Laurie look happy?

Pam's work. She even found time to forge a bracelet and rivet a piece together.

Laurie's pieces. I love her big, red copper bead.

Bonnie N's work. I think her oxide pigment pieces came out really well.

Margaret got nice color on her big copper bead that she colored with flux and heat.

I like the way May Lynn used the Gilder's paste to color her chain.

David's big copper bead came out really great. I didn't get a chance to take a picture of it after he burnished it and sealer it. It looked even better.

I think Alice really like the Gilder's Paste and the dye oxides. I really like the blue filigree butterfly.

Anne's area is just like her, creative and a little crazy! She did great work.

Bonnie G's pieces. I really like the large brass piece that she colored with the green verdigris patina. That product takes a while to develop it's final color, but it's well worth the wait.

Last Sunday I had a class in surface decoration of metals. It looks beyond liver of sulfur for adding color to metals. We had a messy good time. We got to try dye oxide patinas, flame patinas. Gilder's Paste, nail polish, and acid patina (Midas Green). I think we could probably have an all day class on any one of these techniques! I'm really excited about the dye oxide patinas for my own work. With all of the methods, prep is crucial. If you spend enough time cleaning and prepping the metal, you'll have better, longer lasting results. I hope to do another patina class soon! Somehow, I didn't get a picture of Julie's pieces, which is too bad because she gave up her day to help me out with the class and I really appreciate! Thanks Julie!